Why I write period fiction

Don’t read this blog if you don’t like history and if you don’t like history what’s wrong with you.

Somewhere in my schooling I heard, from whom I no longer recall, that history is not about dates and legislative acts. Who cares when the Homestead Act was passed. History is about the people and the times. I can relate to that.

Before I tell you why I write period fiction, let me offer three great biographies about people and their times. “Cleopatra” by Stacy Schiff will make you feel you are in ancient Egypt and you will learn more about Cleopatra than you will from any movie. “Jesse James, Last Rebel of the Civil War” by T.J. Stiles is the most thorough study of Jesse James I have read and there are scenes in the book that still haunt me. “Black Count” by Tom Reiss is a revelation about the father of writer Alexander Dumas. If ever a story ever cried out for a movie this is the one.  The story about the Black Count is too detailed, too rich, and to exciting to go into here. All three books are great reads for taking you to another time and place.

And that is why I write period fiction. I want to escape to another time and place. I have no interest in writing contemporary fiction (my short stories an exception) because it is not an escape. When I wrote “Loonies in the Dugout” about a fictional character observing a true story about the 1911 New York Giants baseball team it gave me the chance to go back in time and learn about 1911 New York. I loved the research about buildings, events at the time, the people of the time. I had the opportunity to make true life characters like Christy Mathewson, John McGraw, Damon Runyon, Bat Masterson, and of course Charlie Faust come to life again. They are long dead. I never had a chance to meet them, but by writing about them in my story I was bringing them back to life. I was a kinder Dr. Frankenstein.

Then because I liked my two fictional leads, Chester and Eveleen, I set them in 1922 where they solved the true life murder of William Desmond Taylor, a silent film director, in the book “Loonies in Hollywood.” Once again I brought to life people I would have liked to have met and I solved a murder that to this day is unsolved. I won’t say I had inside information, but I met years and years ago someone who was  involved in the Hollywood scene at the time. My ending is purely fictional though. Although . . .

Then because I loved studying the flapper era with all that jazz, prohibition, speakeasies, and the movies, I gave Chet and Eveleen another chance to solve a murder in a novel that will be released this spring. It takes place in 1927 and though Charlie Chaplin, Buster Keaton, W.C. Fields, Clara Bow, Adolph Zukor, among many others, grace the story along with two fictional characters so important in my previous book, Detective Tom Ziegler and Clancy, my favorite flapper, this story, unlike the other two is not based on a true story.

So if you like history, period fiction, and reading, my Amazon page for my e-books are here. http://www.amazon.com/Terry-Nelson/e/B00EEVHN38

 

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Filed under dalies, e-book publishing, Uncategorized, writing

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